Sound Design / Remix / Foley / Mix & Master

In this project for Casper, we remixed the Beatles’ “I’m Only Sleeping” at a faster BPM, with vintage synthesizers, live harps, orchestral elements, and a new drum kit. We used specialized tools to split the Beatles’ original master into four different stems, so we could process the vocals, guitars, bass and drums separately. Once our remix was completed, we crafted original, minimal sound design with subtle moments of ADR.

Sound Design / Foley / Audio Mix / Master

This visionary film was directed by Jordan Hall and John Margaritis. Due to COVID, we were provided with ADR recorded on the actors’ cell phones. We mixed this, along with over 300 original, unique tracks of foley, ambience and FX. Almost no original production audio was used; most elements were re-created.

Atmospheres / Sound Design / Foley / Mix & Master

PBS

Sound design, foley, atmospheres and mix completed at Loud Color LA, with voiceover recorded remotely during the COVID-19 pandemic. Produced by Artifact Studios for KCET/PBS SoCal.

Music Remix / Sound Design / Foley / Mix & Master

Directed by Ryan Staake and produced by Pomp&Clout, this commercial features music by Philip Glass, which we enhanced with numerous orchestral elements, flutes, drums, and a vintage Yamaha CS80 synth, paired with original, crisp sound design.

Sound Design / Foley / Audio Mix / Master

THX

In this THX mix, we crafted original sounds with synthesizers, foley, granular synthesis and complex effects. We utilized immersive VR and 3D mixing techniques to give a clear sense of space and environment. The entire mix consists of nearly 300 audio tracks, from atmospheres and ambiances to foley and unique transitions. The mix was completed at Loud Color LA’s Long Beach studio. All visual components are property of THX Ltd.

Sound Design / Foley / Mix & Master

In this project for American Express, we created original sound design for AMEX transactions using vintage synthesizers. We also recorded unique foley elements, atmospheres and walla. Then mixed and served! Produced by Flock of Pixels.

VO Mix / Foley & Sound Design / Final Mix

In this commercial, produced by Flock of Pixels, we had about 90 minutes to mix VO, record foley, walla, synthesize original sounds, mixdown, and deliver the finished product, ready for air. The perfect example of the high stakes time crunch we’re obsessed with!

Sound Design / Foley / Audio Mix

For this commercial for the new energy drink company, Bala, we were provided with several different voiceovers, recorded on different microphones and in different studios, to mix into a cohesive narrative monologue. We recorded hundreds of channels of walla, foley and atmospheres for an “in-your-face” mix, then stripped them back to pop out in just the right moments. The spot was produced by Sparkhouse.

Voiceover / Sound Design / Mix

Produced by Phillip Elgie Media, this piece was crafted to encourage Marines to explore their re-enlistment opportunities and benefits.